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5 Netflix Originals You Need to Watch

Friday, 4 December 2020

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 In the age of streaming (combined with the spates of boredom brought on by a pandemic) it can often feel like you’ve exhausted all streaming services possible. But there’s always more out there, especially when service algorithms aren’t showing us a show we may absolutely love because we binge-watched a whole load of crappy Vanessa Hudgens Christmas romcoms that one night. Here are some of my favourite Netflix Original series that even if you’ve seen before, you’ll love watching again!



1. Dear White People


I am obsessed with this show and I am anxiously awaiting it’s fourth and final series. It’s genuinely one of the best TV series I’ve seen in ages. Aside from the characters, the cinematography and directing is beautifully done. The point-of-view structures for most of the main characters all discuss different issues, and develops each character in deep and believable ways. They’re all so complex and you can believe that they’re real people. This show is all about nuance, understanding other people’s perspectives and developing your own to encompass that. It highlights issues such as colourism, intersectionality, white privilege, class divisions, police brutality, the model minority stereotype, and a whole load more. All while being funny, clever, unpatronising and complicated. Honestly this show is so well written and the talent in all aspects is phenomenal. Bring on series four!


Source: Netflix

 

2. Dead to Me


A dark comedy centred around the growing friendship of two middle-aged women, Dead to Me had me hooked. Grief is a central theme to this series, both in terms of what we grieve and the different ways people manage their grief. Both of the main characters are complex, well thought out, and interesting.It is suspenseful throughout, and while I didn’t think the second series was as good as the first, I’m still excited to see what happens next!


Source: Netflix


3. 13th


Directed by the brilliant Ava DuVernay, this documentary discusses how slavery didn’t end with the passing of the 13thamendment, due to a loop-hole relating to prison-labour. I learned so much from 13th. It was such an eye-opener and after I watched it, I have also come to learn more about how the prison-labour system operates in the UK (although I don’t know enough as I should and am still learning). Not only is it incredibly informative, it is also an incredible piece of film-making. It’s so well put together, with outstanding visuals and structure. Some of the backgrounds to the interviews look amazing. My favourite is the abandoned train station where DuVernay interviews Angela Davis. This is also available to watch on YouTube. 


Source: Netflix


4. Sex Education


I feel like everyone has watched Sex Education, but there’s no way I couldn’t mention it here. Some people find the mixture of US and UK settings and of different era aesthetics a bit off-putting, but I quite like it. I love loads of the clothes, especially Aimee’s outfits in series 2. This show talks about so many issues that don’t tend to get representation in mainstream media or education. The cast is diverse in several ways, and the wide range of storylines covers so many areas, both serious issues like sexual assault, revenge porn and drug addiction to blossoming friendships, joyful coming out scenes and moments of empowerment. Episode 7 of series 2 never fails to make me cry. I won’t lie, I also kind of aspire to be Jean Milburn... Gillian Anderson at her finest. 


Source: Netflix

5. Never Have I Ever


If you need any more proof of what a talented writer Mindy Kaling is, look no further than Never Have I Ever. This high school coming of age series centres around Devi, in the year after both the death of her father and her temporary paralysis. It covers grief so well, and even the characters who would be normally depicted as horrible people in any other teen drama are given complexities and become likeable. But don’t worry, it’s not all seriousness. While it is certainly heartfelt and touching, it is also hilarious. I genuinely laughed out loud so many times, and do I even need to mention that John McEnroe is the narrator. Yes, you read that right, John McEnroe?! There’s so much I could say about this show, I could honestly go on for ages. One of my other favourite aspects include the way they represent female sexuality, the fact that teenage girls actually want and think about sex too – something I’ve not really seen anywhere before. 


Source: Netflix



If you liked this post you might like: 5 Women-Led TV Shows You Need to Watch

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5 Comfort Watches to Help You Get Through Lockdown

Friday, 17 April 2020

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We’re all very such aware of the current situation. How could you not? Everyone’s quite fragile at the moment, and sometimes something that can help can simply be watching a screen for a while. Here are some shows, films, and videos, which help me feel better in any time of crisis.


1. When Harry Met Sally (Netflix)


I love this film. It’s probably one of my favourites, and undoubtedly my favourite romcom. I love the characters, the writing, and of course, Carrie Fisher. It never fails to make me laugh, it sometimes makes me cry, but I always feel a little bit better once I’ve watched. After all, it’s about old friends. 

2.  Outnumbered (Netflix, BBC iPlayer)


I have seen this show too many times to count. I always seem to go back to it in times of crisis. For some reason there’s something comforting and familiar in the chaos of the Brockmans’ house. It cracks me up so much, especially the first couple of series, an I think it may help with how much I miss the kids at NEST at the moment. 

3.  Brooklyn-99 (Netflix, E4)


Like Outnumbered, this is a series I have seen countless times. I find I go to ome episodes more thn others – Halloween heists, the Jibberjab Games, the first episode, He Said She Said, Moo Moo. And with series 7 now being released in the UK as well as the US, it’s time for some episodes I’ve not seen before people!!

4. Christopher Robin (Disney+)


I only saw this film for the first time nearly 2 weeks ago, with it being available on Disney+, and honestly, it felt like a hug in a film. The portrayals of Pooh and his friends are simply adorable, and the whole thing just made me go ‘aawwwwww’. It’s heartwarming and lovely and definitely worth a watch for anyone who needs a bit of nostalgia. 

5.  Leena Norms (YouTube)


As a follower of Leena’s for several years (I genuinely can’t remember when I first starting watching her videos), I am very familiar with her style of video making, the topics she tends to discuss and sometimes the individual videos themselves. Whether it’s a video about more specific problems (such as climate change, bigotry or a list of break up books) or more chatty videos discussing more complicated philosophical, political or societal issues over more every day or even mundane tasks such as washing up dishes, doing make-up or sorting out your wardrobe. Leena’s videos always leave me feeling at least a little bit better, and a lot of the time feel like I’m talking to an old friend. And in times of crisis (whether personal or on pandemic scale), these can be so useful in keeping grounded.


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Why Crazy Ex-Girlfriend Is a Modern Feminist Cult Classic

Friday, 23 August 2019

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It’s no secret that I am a massive fan of the TV show Crazy Ex-Girlfriend. At this point I probably know at least half of the songs of by heart (if not more… there are a lot), all of which my flatmates are probablydefinitely fed up of hearing – and I won’t lie, they do sound super weird without context – and I’m still rewatching episodes here and there to try and get over the series coming to an end. I love sharing my love for this show, and when anyone asks me for a new TV recommendation (feminist or otherwise), I will always mention Crazy Ex-Girlfriend. It’s viewing figures have never been all that impressive, despite its critical acclaim, but I believe that this show will live on for a long time as a feminist cult classic. We are saturated with so much TV at the moment that sometimes it can feel overwhelming by all the content we have thrust at us constantly, and that means that sometimes gems such as Crazy Ex-Girlfriend can be pushed aside and forgotten about. So what is it about this show which makes it so special to me? I thought I’d explain.

**(There will be a spoilers ahead, although I’ll try my best not to go into too much detail, they’re necessary to get my point across)**

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Crazy Ex-Girlfriend centres around just that: the ‘crazy ex-girlfriend’ trope. Analyzing what it is, the societal ideas and preconceptions of it, and, most importantly, the real women and circumstances behind it. We start off with Rebecca (payed by creator and co-writer Rachel Bloom) being broken up with by Josh Chan (Vincent Rodriguez III) at the end of a summer camp they attended when they were 16. We then rejoin Rebecca ten years later as she is about to be asked to become partner at the law firm she works at in New York. After having a panic attack the moment before she is given her promotion, she sees Josh on the street outside and a switch is flipped in her mind. Following Rebecca through a series of rash decisions (moving to West Covina as a means of following Josh, quitting her job and trying to break up Josh’s long-term relationship to name just a few), we see how the prospect of an idealized version of love is seen as a quick-fix by Rebecca for her so-far undiagnosed mental health issues (she has to wait until series 4 for a correct diagnosis).  Many of Rebecca’s actions throughout the show (particularly in the earlier series) are outlandish, ridiculous, often illegal and nearly always unhealthy and damaging to both herself and the people around her. However, with her diagnosis and willingness to learn and be kind to herself, she learns to reign those in and, through practicing self-care and treatment for her illness, is finally able to love and value herself and her relationships. 

The fantasy ideal of romance along with the idea that without that “perfect” person you are not complete is broken down entirely by this show, made especially prominent by Bloom and McKenna’s satire on the romcom genre through twisting its tropes and by making the show a musical black comedy. Rebecca’s obsession with the classic Hollywood fairytale romance leads her to ignoring the underlying issues she needs to address (yes, I sang that to the tune of the second season theme song) and means that she makes unhealthy choices in an attempt to achieve these unattainable standards. And whilst it may take four series for Rebecca to completely understand what is the overarching message of the show: romantic love will not “fix” you, although you still deserve it, but you have to solve your problems yourself. 

At first, the show’s humour may seem a bit full on and weird, which can put some people off (I know some of my friends have been a bit confused at my recommendation initially because of that), but as you get to know the humour and the characters, they serve further to promote the messages the show is trying to convey. The points they make become more poignant as part of the juxtaposition which is so intrinsic to many of the musical numbers. Some of my favourite songs which are the perfect examples of this is Maybe This Dream and The Miracle of Birth - both performed by Donna Lynne Champlin and both contrast the unpretty side of what many women experience (starting periods on a run, a weak pelvic floor, childbirth, etc.) the first with a stereotypical Disney princess song and then the latter with a Stevie Nicks-esque feminine folk song.

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Throughout the 4 series we watch as Rebecca’s relationships to all of the characters change, along with her declining mental health, and then again as she is able to rebuild herself through her own acknowledgement of her situation and taking responsibility for her actions (yep, again I sang that). And whilst the show is primarily about Rebecca Bunch, the show doesn’t sideline any of the other characters at all. Each and every one of the “side” characters has their own arc and is developed in a realistic and beautiful way – they remain their own person no matter their connection to the main character. Valenica, Heather, Greg, Josh, Nathaniel, Darryl… even Rebecca’s mother becomes more sympathetic as we get see more of her.

We see characters of all kinds, and the diversity of the characters really brings something special to the show. I mean what other show can you think of which had at least four episodes in a row without including a straight white man?? We have a Filipino man as a romantic lead, who takes up the role of Gene Kelly in one of his main songs. We have a middle-aged man discovering his bisexuality and singing about its legitimacy to his whole office. We have a mixed race black woman rising up the career ladder, being a great friend and having a loving, healthy relationship at the same time. I could go on. It’s true the show isn’t perfect – it could do better in various means of representation but it’s pretty damn good for the general standards of TV. In many shows, the character’s race or sexuality becomes a huge part of their character arcs. Crazy Ex-Girlfriend creates the characters’ arcs and development separate from their race, gender and sexuality, although at times they do come into play as they are significant in real life. The writers flip this in the character of Nathaniel, who’s whiteness, straightness and richness is basically his whole thing – at least in the beginning anyway. 

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One of my favourite characters is Paula, Rebecca’s best friend and colleague. Paula represents so much and I love her. She is hilarious, caring, loyal as hell and wants to do her best to help make the world a better place. There are loads of reasons why I love Paula, those mentioned previously just some of them. As a woman a little older than Rebecca, she is a great avenue to explore a whole world of other issues and themes, and the creators take full advantage of that. For example, through Paula we see the gradual gender-equalization of a previously stale marriage and how her and her husband fall back in love with each other, being a mature student, motherhood, the sometimes over-obsessive nature of best-friendships… When I think of Paula’s arc, however, one of the biggest messages which I at least take out of it is that of ‘you can do it’. She faces a multitude of obstacles – her struggling marriage, taking care of her kids, an unplanned pregnancy and consequently going through an abortion almost in secret, as well as her own self-doubt. I could write a full essay on pretty much all of the Crazy Ex-Girlfriend characters, but for me, Paula is perhaps the most inspirational. Her story is that of the empowerment of a woman who didn’t see activism as something ‘for her’ but takes steps to ensure that it is and makes a hell of a difference despite what she is told. 

Crazy Ex-Girlfriend subverts any and all genres it takes on and the expectations we get from that. And nothing exemplifies this than the last few episodes and the final ending. As Rebecca is faced with the choice of her three main suitors throughout the span of the show, we are lulled into expecting her to end up with a traditional ‘happily ever after’, but the last episode goes against this entirely. Yes, she does get a happily ever after, but with herself. The love of her life is music, her friends, her own company. As Rebecca says herself in the finale: “Romantic love is not an ending, not for me and not for anyone else here.” Instead of the reward for the female protagonist being a man to “complete” them, Rebecca gets personal fulfilment and growth. And Paula? Well, she has both. For both of these characters, their arcs are really about self-growth, improvement and maturing. This is demonstrated and celebrated throughout the entire of the last season. The episode titles change from being focused on Josh or Greg or Nathaniel to ‘I’. Rebecca’s focus has shifted from the men around her to her own priorities. The final song, ‘Eleven O’Clock,’ summarises this beautifully. Rebecca finally opens up completely to Paula (and subsequently her other friends) by showing her secret happy place where she is at her most vulnerable. The song goes through the past four seasons and we go through her journey to self-growth and self-improvement on fast forward. And then in the reprise we have a musical reference back to Paula and Rebecca’s first duet in the pilot – an emotional reminder of just how far they have come since then. 

Now, whenever I need a little bit of comfort, a bit of motivation and empowerment, a reminder of what women can do when they’re given the opportunity, I pop on the show’s finale and feel a bit better about the world. 



You can watch Crazy Ex-Girlfriend on CW and Netflix (among other places if you can find - I watched on Netflix).

If you liked this post you might like: 5 Women-Led Shows You Need to Watch

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5 Women-Led TV Shows You Need to Watch

Friday, 8 March 2019

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Happy International Women’s Day to one and all! This day is about celebration. It’s kind of like Christmas. We should have International Women’s Day decorations. Too much? Maybe not. Anyway, in the festive spirit, I thought it would be cool to share some of my favourite TV shows, which happen to have women at their heart. 

Photo Credit

I don’t know about you, but I am always trying to improve the diversity of the media that I consume – whether that’s in terms of the characters, the messages, the modes or the genre. All the shows I’ve included, whilst still imperfect, will hopefully help any of you trying to do the same. I hope you like them and give them a try.

1. Crazy Ex-Girlfriend


Oh my. This show. Bloody hell, it’s so underrated. In fact, this show is one of the best things on TV at the moment, in my opinion, and is yet still somehow one of the least talked about. Why?? I don’t understand. Crazy Ex is a musical comedy satire show based around Rebecca Bunch as she moves from New York to West Covina, California after she meets her ex-boyfriend on the street. When I tell people that description they go ‘you WHAT??’. And I get it. The first episode is kind of a whirlwind. It’s ridiculous and out there and silly, but is one of the most poignant and topical TV shows there are. The whole basis of the show is to deconstruct the misogyny of the titular term ‘Crazy Ex-Girlfriend’ and the reasons behind particularly women’s behaviour, and it's well worth sticking through the admittedly very strange beginnings, as you will become super attached to all of these characters as you watch them grow.

So many topics are discussed in a really unique way – from abortion, periods and period sex, desexualizing women’s bodies, parenthood, sexuality, female friendships, female sexual pleasure and, most importantly, mental health. The list could honestly go on forever. I think I read somewhere that Crazy-Ex is the first TV show to include the word ‘clitoris.’ It seriously took that long?! (I may be wrong in this fact, don’t quote me on this.) The reason these issues and topics are discussed so well and so effectively is because they aren’t approached in a serious, preachy way. The songs and jokes of the show make them accessible and help us understand in another way. If anything, they’re catchy and can spread awareness and therefore help normalize them. Hell, I was humming the tune to ‘Period Sex’ whilst typing this. It’s a catchy tune. As a consequence, the light-hearted nature of the show means that the more serious moments even more impactful than they otherwise would have been, especially in the latter series as we see the effects of the events we have viewed previously. If you watch one of the shows on this list, watch Crazy Ex-Girlfriend. 

2. Jane the Virgin


Am I including this to get out some of my hype about the impending release of the last season of Jane the Virgin? Maybe. Probably. Yes.

You may end up noticing a pattern in this list. As much as I love a good drama and tragedy at times, what I really love is a show that doesn’t take itself too seriously. And I feel like that is the telenovela genre summarized. I have never seen a telenovela before, and after seeing Jane the Virgin, I’m definitely going to try and keep an eye out for some more to watch. 

Jane the Virgin is self-aware, and whilst it does make fun of the genre, it does treat it with a lot of love and care, which transfers well to audiences who are unfamiliar with the format. 

The premise is that Jane, a virgin (bet you never guessed that at all), through a series of events, becomes pregnant (I’ll let you find out how), and chaos ensues.

One thing I love about this show is the fact that it switches so effortlessly between English and Spanish. As a pretty average white person, the only other languages spoken at home are minor bits of Welsh (normally as jokes or intermittent words, never for full on conversations as none of my fmily can speak it properly, despite me having been in the Welsh education until I was 15) or swear words in French or German my dad would teach my brother and I as kids. It’s great to see how this show portrays a bilingual family, and one who give so much pride to their heritage and their traditions. 

Yes, the love triangle trope may be problematic (especially when it comes to pitting women against each other), but I find that the more episodes I watched, the less the characters became caricatures. They all have their own character arcs, and learn new things throughout the series. You could be hating one character one episode and be rooting for them the next (I’m looking at you Petra). Love triangles grow and disappear and people evolve, as they do in real life. The Villenueva women are so supportive of each other, and it’s lovely to see healthy familial relationships, even if they can be strained at times, rather than estranged or manipulative parents who are so often the norm in television.  

When I started watching this show, we were in the aftermath of the 2016 US Election, and I couldn’t help feel like I should have watched it sooner. Many events and themes in the show are extremely relevant, but most prevalent is the treatment of Latinas. In particular, the threat of deportation is one which looms heavily over the series, cropping up every now and again in situations where you wouldn’t even have given it a second thought if it wasn't something that was a threat (like me, as said previously, being a pretty average white person).

3. Grey’s Anatomy


For most of my first semester at uni, I was binge-watching Grey’s Anatomy. It was a kind of background noise to my introduction to university life. I love a good drama, and this show is one twist after the next. It’s really incredible at how many traumatic events happen in this hospital or to its staff even whilst they’re not there. With its 15thseason currently airing, the show is clearly loved by so many, and for good reason. The cast is perhaps the most diverse one that I have seen on TV, especially for one which began in the early 00s, and covers so many issues and topics (which should perhaps be expected from a show which has over 300 episodes). It is nevertheless portrayed through the focussed narrative of a straight, rich and able-bodied white woman, but I find it becomes more of an ensemble as the series progress. 

Based in Seattle Grace Hospital (I won’t reveal its new name because *SPOILERS*),  the show follows the lives of a new class of interns and their time training to become surgeons. The cast I think is quite equally weighted in terms of men and women, but the reason I’ve included it in this is because a) the title character is just so happens to be a woman - Ellen Pompeo we love you – and b) the experiences of women are put at the forefront of the narratives told by Grey’s. 

With the goddess that is Shonda Rhimes at the forefront of the team, the executive producers, producers and editors (from my limited research) seem to be either in the slight majority or incredibly close to being equal. The experience of women on this show is incredibly intersectional, and its response to #MeToo was totally unexpected and appreciated, and its effect on the characters is done so well. 

Also, there are some god damn amazing actors on Grey’s. Just take Sandra Oh as a reason to watch this show. Sandra freaking Oh. 

4. The Good Place


The Good Place is such a good concept, and it is delivered equally as well. We follow Eleanor Shellstrop (Kristen Bell) as she awakens in the afterlife in an office room. Sat opposite heris Michael (Ted Danson), who greets her announces that she is in The Good Place, which is not really heaven but in vague terms is a kind of equivalent. It is a paradise. But does Eleanor really belong there?

I love the way it intertwines the philosophy and comedy – I freaking love learning while I’m being entertained! With its thirty-minute-long episodes, this show is so easy to slip into binging. However, due to the fact that it does have quite short episodes and seasons, it won’t take you as long as it would say, Grey’s Anatomy. This show is clever and ridiculous and clever at the same time and has some of the best plot twists on TV. Genuinely, think of a better plot twists than the ones in The Good Place, I dare you (okay there’s probably a couple but my god they’re good). 

The character development on this show also very well done. The questioning of who is really a good person and how can we be truly good is one which is pervasive throughout the whole of this series from the get go. No character is neglected in this show, even if some of the demons may seem a little caricature-ish at times. From the four main humans to Janet and Michael, each changes and evolves and is given a history and motives. 

I don’t want to discuss too much, in case I give away too much and spoil viewing it for any of you. I forget what’s a plot twist and what is not. Please watch it then get you friends to watch it and freak out with them about how good it is!

5. Grace and Frankie


It is rare that we see shows dedicated to the lives of older women, and this show does it so well. I think this show is hilarious – something my family definitely didn’t agree on when I made them watch the first episode, and to be fair, the first episode is sadder as it sets the scene for the comedy to follow. The first episode follows Grace and Frankie as they are thrown into the same boat as their husbands (long-time law partners) announce that they are in love and are leaving them for each other. Being the only ones who can understand what they are going through, the two women are begrudgingly brought together despite their best efforts to stay away from each other. 

The two central actors, Jane Fonda and Lily Tomlin are icons, and have been for many years. They are proud feminists and this shines through in their show.

I have never seen anyone talk so candidly about vibrators, and think that it’s incredible the way the show doesn’t deny older women of their sexuality. It may be shocking to begin with (especially to some of the characters they try to sell them to and their family members), but by broaching such a topic as masturbation so candidly and among older characters, is groundbreaking. It pushes the stereotypes we have of older women, and represents them in a way that is probably more accurate.  I have never laughed so hard at a TV show as I have at the end of season 3. Even as a young person, I could identify with various characters (including their children), if only for the female friendship which takes centre stage. My friends are the loves of my life, and there is something so universal about a genuinely caring friendship that will never get me to not love a TV show. Friendships can often define us more than our romantic relationships, and that is something which is portrayed by this show. But maybe that’s a blog post for another day.

I have to admit that I was somewhat disappointed by the fourth season. I had loved the first three so much, and then suddenly it seemed to change slightly. I don’t know exactly how. It did seem that the women were becoming more frail and incapable of taking care of themselves, whilst the men were being more adventurous and daring – a message which I think is a tad problematic. I haven’t seen the latest season and I’m not sure I want to, but I think I may rewatch the first three seasons to remind me of why I love this show so much and then give it a shot.


I hope you have enjoyed my feminist TV show recommendations, and that at least one of these shows suits your tastes. Have a great International Women’s Day everyone!





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5 Films on Netflix You Need to Watch

Friday, 19 October 2018

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We’re all aware of the many Netflix Originals everyone is obsessed with (To All the Boys I’ve Loved Before, I’m looking at you), but there are also so many films on Netflix which came out separately and have just quietly slipped into Netflix’s repertoire. Most of these I seemed to stumble upon whilst browsing Netflix, but had seen in other formats previously, and all of them I wish everyone would watch. 

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1. Atonement


I first saw this film after having bought the DVD in a charity shop a few years ago. And, wow, it simply blew my mind. Having read the book earlier this summer, I just became more obsessed. I love the way this story plays with narrative and questions right and wrong and how the upper classes tend to escape consequences.

2. We’re the Millers


If you need a light-hearted, silly film to cheer you up, then this is one for you. I only saw this film for the first time a couple of months ago when I was babysitting and I wish I had watched it earlier. Also, the bloopers are some of the best I’ve ever seen (if you know, you know).

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3. The Intern


For ages, I turned my nose up at this film because I thought it was an office love story between a younger woman intern and her older male boss. As it turns out, none of that is true.

After Leena Norms recommended this film in a YouTube video, I thought I’d give it a shot, and it’s now one of my favourite films. It warms my heart and shows the realities of women rising up in the workplace. And who wouldn’t love Robert De Niro and Anne Hathaway’s cross-generational friendship?

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4. Age of Adaline


When I first watched this film, I was fully expecting a full on romcom, and whilst it is undoubtedly a romance, it’s so much more than that. I think this film shows how much we need human comfort and relationships. The bit where Harrison Ford recognizes Blake Lively gets me every time. 

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5. Their Finest


This film makes me laugh, cry with both heartbreak and nostalgia and buzz with inspiration. Gemma Arterton is incredible, and the story is beautiful in so many ways, and there are also so many ways which I connect to it (and not just because several of the locations used for filming were part of my childhood). My only criticism is that the cast is completely white - but apart from that, I can't fault it.

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If you liked this post you might like: 5 Comfort TV Shows



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5 Comfort TV Shows

Friday, 6 July 2018

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A while ago, I watched a video by Lex Croucher where she discussed the TV shows that make her feel better, and it really resonated with me. I completely understood her when she talked about the healing power of TV (no matter how ‘good’ it may be). 

1. Downton Abbey


Watching Downton Abbey has become a kind of de-stressing tradition for me now. This started when I first watched the show during my GCSE year during exam period. At that point, I’d done all the revision that was going to be useful and when I came home after an exam I would pop on an episode or two and chill out. I don’t quite know what it is about the show that makes me calm (there are most certainly episodes that aren’t so calm. Everyone knows thatdinner scene where I think Hugh Bonneville made absolutely everyone jump out of their skin), but it does the trick just fine and oh I love it so. I actually own the first series on DVD now secondhand, so I’ll have it with me when I move out, and I’m sure it’ll come in very handy. 

2. Lovesick


This show is the one on this list with which I am most recently acquainted. It’s a Netflix original and so far, there are only 2 series of out (I really hope another one is on its way). The premise in itself is enough to make you laugh: the protagonist, Dylan, gets chlamydia and each episode is the story of every girl he has slept with as he calls them up to warn them. The timeline is revealed in small pieces as we jump to different years if Dylan’s life and we see the plot unfold. My favourite part of this show, though, isn’t Dylan’s development – it’s the rest of his friends’. We see Evie, , and (all of whom live together at some point or another) grow just as much if not more than Dylan and I think it’s their dynamic as a group that really makes the show unique.

3. Death in Paradise


I can’t count the number of times I’ve rewatched the different series, only made easier by some them being made available on Netflix. I probably know the plot to each episode (or at least most of them) by now, but it’s one of those shows that I keep going back to, I hink partially due to its Scooby-Doo-like predictability. I will stand by my opinion that its most recent series has gone to shit, but the first few series I don’t think I’ll ever get tired of. 

4. Brooklyn-99


This show holds a very special place in my heart. I’m going to write a separate show on its cultural significance, but you’ll have to wait another day for that. The jokes never fail to make me laugh, even when I know they are coming and could recite them off by heart, and never rely on any harmful stereotype or preconception. They are even more hilarious when taken out of context (BOOST MY BOTTOM – I’M BOOSTING!!!!!). The group dynamic and chemistry is on another level, with all the characters having well-formed and healthy relationships with each other (let’s mention the distinct lack of toxic masculinity here people) and the diversity of this cast is second to none. I cried when it was cancelled and I cried when it was taken back up. I cannot wait for season 6. 

5. Game of Thrones


Oh god I love this show. Perhaps it’s not as relaxing as the others, as I’m sure you are aware of its reputation for violence, sex and plot twists. However (please hear me out here), I love the characters so much and love rewatching the episodes time and time again so that I notice new details, or watching a specific series after I’ve finished reading one of the books so that I can compare contrast and analyse. How am I going to cope when it’s over??? (trick question: I’m going to keep rewatching and crying until the end of time and my face has shriveled up from the water loss)

What are your go-to chill out shows?



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Why We Need to Stop Making Women-Only Reboots

Friday, 18 August 2017

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Women in film has been a huge discussion lately, particularly in the last few years. Films such as Ghostbusters and Ocean’s Eleven (not yet released) having reboots with all-female casts, with a pressures for a future female James Bond being applied from lots different areas (including actors who want to take on the iconic role), has put the issue into the spotlight and have been named as huge steps forward for feminism. Really?

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I personally am not a big fan of the idea of women-only reboots, particularly that of films that are already iconic and adored by millions of loyal fans – women most definitely included within that fan base! The characters that these women are taking on are already well established, setting them up for failure in the audiences’ mind as they have pre-built expectations of what the character should be, leaving the actor little room to interpret a character they may want to experiment with. There will inevitably be some disappointment. And fingers will point at the fact that that character is now a woman, not the way she is written or the plot of the actual film or the direction. If there’s a woman involved, that’s seen as the only problem.

I enjoy the 2016 reboot of Ghostbusters. I find it fun to watch, have seen it a few times and no doubt that I’ll see it many more times in the future. It’s a family favourite now. My dad, a huge fan of the original, even said to me that he likes it as much as the original. You can imagine how much I was impressed by that statement. But I enjoy the original as well. And I don’t necessarily feel like the reboot really brought anything to the story overall. For a discussion on this film, in particular, I would definitely recommend watching Hazel Hayes’ video on it.

I’m fed up with all-female casted reboots of films that don’t need it. For some reason that is viewed by a lot of the media as a breakthrough in the name of feminism, when it really isn’t. We need to first ask ourselves how diverse these apparently progressive films are, and the way they present women of all backgrounds as well as the reception they receive. Suddenly switching male characters to female ones doesn’t do much in reality – in fact, it seems lazy. Why implant femininity on characters that have been pre-made in a more masculine way when you could just make a brand new, well developed and interesting female character? An original that has no pre-conceived perceptions attached to her.

I just want people to stop recycling male characters and start creating believable, representative and interesting fictional women that audiences can get invested in. That’s all I want. Plleeasssee...


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Why Women Superheroes Are So Important

Monday, 24 July 2017

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Lately, there’s been a lot of talk about women in roles of superheroes and action heroes, particularly with the arrival of Wonder Woman (which I have still not seen yet!) which I think has changed a lot for women in the superhero genre, but there’s still a lot we need to talk about.

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Superheroes and comic books have traditionally had a very sexist outlook. The costumes of some of the female characters are notorious for the way they hypersexualise their wearers. It’s not just their clothes either. You just have to look at the way women are drawn in comics to know that they’re sexualized in every aspect of the genre. Obviously, comics are meant to exaggerate, and do so for males as well, but just not in the same overtly sexual way.

When this is combined with a lack of real representation (over half of the major Marvel/DC film failing the Bechdel Test), women simply become sidelined minor characters, only given screen time to create and satisfy the expectations of 12-year-old boys who have barely ever actually spoken to a girl. This then perpetuates into later life with a cycle that ends up with women being treated like objects and their opinions not seen as valid. Sound familiar?

The importance of representation (of all kinds, for everyone) can never be over exaggerated. What’s that quote people always use?  ‘You need to see it in order to be it,’ or something along those lines. I am not stupid; I know that no one’s ever going to have superpowers (as much as that disheartens me to say), but by women seeing themselves portrayed as superheroes, they will become super through their own belief in themselves. Suddenly they can be strong, powerful, independent, do things their own way. Women fighting alongside men sets them on a level playing field – in real life as well as in the films or comics.

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So Marvel, what’s your excuse for no Black Widow film? I think Wonder Woman has proved there is a market for a superhero film led by a woman.



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5 Films I've Watched Recently

Friday, 26 May 2017

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I’ve watched a few films lately. Why not have a chat about them?



1. The Iron Lady


I watched this film as ‘research’ for my upcoming EPQ on Margaret Thatcher (for those of you who don’t know an EPQ is basically as mini dissertation), so I was hoping it would have an interesting take on her, but overall I felt that she was portrayed quite neutrally but provoked a lot of sympathy for the watcher. This was mostly due to the fact that she was seen to struggle with dementia. And on that point, I researched the film afterwards and found that it was released whilst Thatcher was still alive and suffering from dementia in reality. Whilst I did enjoy the film and thought it was very good, I have the strong opinion that it was wrong for the film to have been made whilst she was still alive and potentially living through some of the scenes included in the film, even if they had consent (I’m not sure if they did, I’ll probably look this up). Despite that, Meryl Streep and Jim Broadbent are amazing and there are so many well-known British actors featuring.

2. Dream Girls


I’ve been wanting to watch this for ages - especially after having seen one of the songs sung by Amber Riley in Glee. I really enjoyed it and thought all of the actors were incredible! The characters I thought were so interesting and having watched this has made me desperate to see it in the West End – I can just tell that Amber Riley is an amazing Effie.

3. Rebel Without a Cause


I have to admit that the only reason I watched this one was because of the huge number of references to it made in La La Land. Oops, ah well. I have some mixed opinions about this film. Overall, I think I did like it, although I wasn’t sure when I immediately finished it. I think I felt maybe a little bit underwhelmed because I’d hyped it up in my head, having thought it would be INCREDIBLE after having been put on such a podium in La La Land. I think I may need to watch it again to establish some more opinions about it. I did find it very interesting, particularly as it was spanned over such a short space of time and I think the mixed representation of the police which I think it quite realistic in general. The characters intrigued me a lot – each showed how a person’s family can mess them up and affect them in ways that the person in question can’t control. I would love to talk to someone who knows more than me about the representation of mental illness in this film as that’s an issue that is central to it.

4. Runaway Bride


This was recommended to me by my dad, who knows how much I love a good cheesy romcom. We watched it as a family on a weekday night and it was a 'rom-commy' as you can get. A reunion of Julia Roberts and Richard Gere a few years after their iconic appearances in Pretty Woman and all the predictable plotlines and tropes of a stereotypical romcom? You can count me in!

5. La La Land



If you’ve read basically any post on my blog before, you’ll undoubtedly know that La La Land became one of my favourite films about 5 minutes in to my first time watching it. As a fan of Old Hollywood and musicals, I knew I was going to love this film and I think that the first time I saw this film will be one of the ones I will remember for a long time. I had pre-ordered it on DVD and it arrived 2 days before its release date, so I was obviously giddy with happiness. As it is coming up to my AS exams, I have been really stressed, so the arrival of one of my favourite films really helped calm me down in time to do some revision that may actually count towards something.





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